Isaiah Chapter 54 verse 11 Holy Bible

ASV Isaiah 54:11

O thou afflicted, tossed with tempest, and not comforted, behold, I will set thy stones in fair colors, and lay thy foundations with sapphires.
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BBE Isaiah 54:11

O troubled one, storm-crushed, uncomforted! see, your stones will be framed in fair colours, and your bases will be sapphires.
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DARBY Isaiah 54:11

[Thou] afflicted, tossed with tempest, not comforted! Behold, I will set thy stones in antimony, and lay thy foundations with sapphires;
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KJV Isaiah 54:11

O thou afflicted, tossed with tempest, and not comforted, behold, I will lay thy stones with fair colours, and lay thy foundations with sapphires.
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WBT Isaiah 54:11


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WEB Isaiah 54:11

you afflicted, tossed with tempest, and not comforted, behold, I will set your stones in beautiful colors, and lay your foundations with sapphires.
read chapter 54 in WEB

YLT Isaiah 54:11

O afflicted, storm-tossed, not comforted, Lo, I am laying with cement thy stones, And have founded thee with sapphires,
read chapter 54 in YLT

Pulpit Commentary

Pulpit CommentaryVerses 11-17. - THE GLORY OF THE NEW JERUSALEM, AND THE HAPPINESS OF ITS INHABITANTS. Hitherto Israel has been addressed; now the direct object of address is Jerusalem. The eye of the prophet passes, however, with a glance, from the actual present to the far-distant future, and sees the Zion of God in her heavenly setting, all bedecked with precious stones, as she was seen by the exile of Patmos more than seven centuries later (Revelation 21:16-21). After briefly describing the heavenly city, he passes to her inhabitants, and promises them peace, protection, and righteousness. Verse 11. - O thou afflicted (comp. Isaiah 49:14-17). Jerusalem is seen as she was during the Captivity - "afflicted" by God's hand, vexed with all his storms, and not yet comforted (Comp. Isaiah 64:10, 11). Then a fresh vision obliterates the mournful sight. I will lay thy stones with fair colours; literally, I will lay thy stones in antimony; i.e. I will give them a setting and adornment like that which beautiful women were in the habit of giving to their eyes when they wished to attract admiration (see 2 Kings 9:30). Puk, or antimony, was used to stain both the upper and the under eyelid, in order to increase the apparent lustre of the eye, and so impart to it greater beauty. The passage is not to be understood as implying that coloured marbles were ever really set in antimony. And lay thy foundations with sapphires; or, make thy foundations of sapphires. In Revelation the first foundation is "jasper," the second "sapphire" (Revelation 21:19). Sapphire was the foundation on which the throne of God appeared to be set, when it was seen by Moses, Aaron, and the seventy elders (Exodus 24:10). The throne itself had the appearance of sapphire, as seen by Ezekiel (Ezekiel 1:26; Ezekiel 10:1). Sapphire is the hue of heaven.

Ellicott's Commentary

Ellicott's Commentary for English Readers(11) I will lay thy stones with fair colours.--The first germ of the idealising symbolism of the new Jerusalem. The language of Tobit 13:16-17, shows the impression which it made on the Jews of the captivity. It takes its highest form, excluding all thoughts of a literal fulfilment, in Revelation 21:19-21. The Hebrew word for "fair colours" indicates the kohl, the black powder of antimony, or manganese, used by women in the East on eyelids and eyebrows, so as to enhance the brilliancy of the eyes. (2Kings 9:30, 1Chronicles 29:2, Jeremiah 4:30.) Here, apparently, it is used in the same way as the setting of the sapphires and other gems. For "windows" read pinnacles.Sapphires . . .--As with the choice of the twelve gems for the High Priest's breast-plate, it is probable that each stone, over and above its visible beauty, had a symbolical significance. Sapphire, e.g., represented the azure of the firmament, as the "sapphire throne" of the Eternal (Exodus 24:10, Ezekiel 1:26; Ezekiel 10:1), and the rubies (not "agates") and carbuncles may, in like manner, have answered to the fiery glow of the Divine love and the Divine wrath. . . .