Boaz Danken's "Unaweza" tells its central image as a short story rather than a metaphor stated outright — the Lord sending Jeremiah to a potter's house, where a vessel spoiled in the potter's hand gets reworked into something else entirely, exactly as the potter saw fit. That's Jeremiah's own account, quoted here almost scene by scene, and the song draws the direct comparison in the next line: "ndivyo ulivyo wewe ni mfinyanzi," that is what you are, you are the potter. "Kilichoharibika unakifinyanga tena," what was ruined you reshape again, applies the image specifically to broken lives rather than leaving it as an ancient craft lesson. The repeated "unaweza," you are able, paired with "hakuna jambo lililo gumu la kukushinda Yesu," nothing is too hard for Jesus to overcome, turns the potter image into a present claim about restoration rather than only a historical one. The song's structure mirrors its subject — it doesn't rush toward resolution, sitting instead in the reshaping itself, since that's the part of the story it's actually about.