Inseparable

Jon Foreman builds this song almost entirely from a litany of opposites — death and life, angels and ghosts, the past and the future, hunger and wealth, sickness and health, day and night — stacking them like walls until the repeated refrain knocks them all down: nothing can keep us away, nothing can separate. The middle verse shifts into darker territory, borrowing the psalmist's complaint about facing death all day long and singing a dirge, then turns to address an accuser whose curse has run out. The song doesn't argue its way to confidence; it simply repeats the word "inseparable" until it settles, closing with the specific anchor of the Saviour's love rather than an abstract force. The effect is less a doctrinal lecture than a stubborn chant, the kind of thing you sing when the evidence around you says otherwise.