Definitely

Ada Ehi builds this song around a single, repeated confession: nothing broken, nothing missing, complete in the name of Jesus. The opening lines place the singer "seated with my Jesus," an image the chorus returns to again and again, lifting the believer far above whatever the season brings. There is a striking honesty in the middle verse, where the lyrics imagine a different outcome — if it came down to turn by turn, or to power and might, the singer admits they would never have seen the light. That admission makes the gratitude that follows feel earned rather than automatic, and it points straight to Calvary and the sacrifice as the reason for the change in position. From there the song moves into declarations of reigning in Christ, testimonies that overflow regardless of circumstance, and a chorus that keeps circling back to completeness. The repetition is deliberate, almost like a mantra the singer refuses to let go of, and the simple melodic hook of "far, far, far above" gives the whole thing a lightness that matches its confidence.