[Intro]
Comfortable, don't get comfortable
I'm gonna move this mountain
Then I'm gonna move you in
[Verse 1]
Yesterday
This is not yesterday
You were standing on my shoulder (On my shoulder)
Now you're standing on the edge
You've been looking for a sign all this time
[Chorus]
I am gonna show you what I mean
I am gonna love like you've never seen
You are gonna live like you used to dream
This is your new song
[Verse 2]
So afraid
But you don't have to be afraid
Even if you make mistakes
You know that I'll remain
You been looking for a sign all this time
If you seek you'll find me every time
[Chorus]
So I am gonna show you what I mean
I am gonna' love like you've never seen
You are gonna live like you used to dream
This is your new song
Na na na na na na na na na na na
Na na na na na na na na na na na
[Bridge]
Can you feel the call of love?
Is it moving you to be a child of God of love?
Is it reaching you?
It's everywhere the call of love
[Chorus]
I just wanna to show you what I mean
I just wanna to love like you've never seen
Do you want to live like you used to dream?
Then I've got a song for you
'Cause I am gonna show you what I mean
I am gonna' love like you've never seen
You are gonna live like you used to dream
This is your new song
[Outro]
Na na na na na na na na na na na
You've got a new song
Na na na na na na na na na na na
Don't Get Comfortable
Song Meaning
Brandon Heath opens "Don't Get Comfortable" as a direct warning against settling — "comfortable, don't get comfortable, I'm gonna move this mountain, then I'm gonna move you in" — promising disruption and homecoming in the same breath rather than treating them as opposites.
"This is not yesterday, you were standing on my shoulder, now you're standing on the edge" marks a specific change in position, not just feeling, and "you've been looking for a sign all this time" names the search the chorus is about to answer: "I am gonna show you what I mean, I am gonna love like you've never seen."
"So afraid, but you don't have to be afraid, even if you make mistakes, you know that I'll remain" separates fear from failure, promising constancy regardless of outcome. "Can you feel the call of love? Is it moving you to be a child of God of love?" turns the bridge into a direct question rather than another declaration, and the closing wordless repetition, "na na na na na," lets the song end on melody rather than argument, as if the point has already been made in words enough times already.