Step Into The Light

A short, incantatory lyric built around a single turn: the movement from blindness to sight. The opening lines describe a mind trapped and shut in, "deaf and blind" to the self that lives underneath, and the song treats that inward darkness as a kind of prison. Then the perspective widens sharply — everyone is named as God, expressed in the startlingly physical stuff of skin, teeth, and breath, and even in the murkier regions of instinct and dream. It's a line that refuses to keep the divine safely abstract, locating it in bodies and impulses instead. The pivot comes with a repeated paradox, that living requires dying, said twice as if to let it settle, before the closing invitation to step into the light. There's no narrative arc or chorus-heavy structure here; the whole piece works more like a brief meditation or a spoken creed set to music, and its power sits in the collision between the gritty, embodied imagery and the plain call to come into the light.